{"id":272,"date":"2011-03-23T20:12:18","date_gmt":"2011-03-23T19:12:18","guid":{"rendered":"http:\/\/www.lindosblog.com\/?page_id=272"},"modified":"2025-07-11T13:51:05","modified_gmt":"2025-07-11T12:51:05","slug":"test","status":"publish","type":"page","link":"https:\/\/www.lindosblog.com\/?page_id=272","title":{"rendered":"List of works & Discography"},"content":{"rendered":"

<\/a><\/strong><\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
<\/strong><\/td>\nTitle<\/strong><\/td>\nCD<\/strong><\/td>\nVHS<\/strong><\/td>\nDVD<\/strong><\/td>\n<\/tr>\n
2007<\/td>\nUna ballata bianca<\/a><\/strong>
\nfilm (78′) by Stefano Odoardi<\/a><\/td>\n		<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
2006<\/td>\nAstor<\/strong> for four percussionists
\npremiered by Tetrakis Percussioni<\/a>, 3 February 2006 at the Amici della Musica concert, Foligno (Perugia)<\/td>\n		<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
2006<\/td>\nIl regista di matrimoni<\/a><\/strong> (The Wedding) – theme only<\/strong>
\nfilm (97′) by Marco Bellocchio<\/a><\/td>\n		<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
2006<\/td>\nKan shang qu hen mei<\/a><\/strong> (Little Red Flowers \/ La Guerra dei Fiori Rossi)
\nfilm (92′) by Zhang Yuan<\/a><\/td>\n		<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
2005<\/td>\nImprovviso n.6<\/strong> per armonica e quartetto d’archi
\npremiered at the Ravenna Festival, July 2005<\/td>\n		<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
2004?<\/td>\nImprovviso n.5<\/strong> “Echi dal cinematografo”<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
2004<\/td>\nVirginia, La Monaca Di Monza<\/a><\/strong> (The Nun of Monza)
\nfilm (200′) by Alberto Sironi<\/a><\/td>\n		\"\"
\nSORTF 012<\/td>\n		<\/td>\n\"\"<\/td>\n<\/tr>\n
2004<\/td>\nSalvo d’Acquisto<\/strong>
\nfilm (57′) by Alberto Sironi<\/a><\/td>\n		\"\"
\nFRT 406<\/td>\n		<\/td>\n<\/td>\n<\/tr>\n
2003<\/td>\nL’Aurora Boreale<\/strong> Octet for wind and strings (5 string & 5 wind)
\ndedicated to the Gaudier Ensemble<\/a>
\n(Susan Tomes in The Guardian, 1 Sept. 2003<\/a>)<\/td>\n		<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
2003<\/td>\nLa Spettatrice<\/a><\/strong> (The Spectator)
\nfilm by Paolo Franchi<\/a><\/td>\n		<\/td>\n<\/td>\n\"\"<\/td>\n<\/tr>\n
2002<\/td>\nIl sogno di Urizen \/ The Dream of Urizen<\/strong> Concerto-Spettacolo, dai \u201cLibri profetici\u201d di William Blake
\n(with “Apparato visuale” by Jannis Kounellis)
\ncommissioned for the Ravenna Festival 2002<\/a>
\nsee program notes<\/a><\/td>\n		Cinefonia<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
2002<\/td>\nUn Viaggio Chiamato Amore<\/a><\/strong> (A Journey called Love)
\nfilm by Michele Placido<\/a>
\nfilm review: www.spietati.it<\/a><\/td>\n		<\/td>\n<\/td>\n\"\"
\nVareseweb<\/a><\/td>\n<\/tr>\n
2001<\/td>\nGinostra<\/a><\/strong> (The Vulcano)
\nfilm by Manuel Pradal<\/a><\/td>\n		\"\"
\nUniversal\/
\nLa Bande Son
\n067559-2
\n(at Footlight<\/a>)<\/td>\n		Studio Canal<\/a><\/td>\n\"\"
\nshop at
\nAmazon.fr<\/a><\/td>\n<\/tr>\n
2001<\/td>\nLa Doppia Luna di Shakespeare<\/strong> opera multimediale per Mezzosoprano, Coro, Orchestra, Trio di solisti con collegamento audio-video in tempo reale con un gruppo di detenuti-recitanti del carcere di massima sicurezza di Preturo<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
2001<\/td>\nMalefemmene<\/a><\/strong> (Bad Women)
\nfilm by Fabio Conversi<\/a>
\nfilm review: www.frameonline.it<\/a><\/td>\n		<\/td>\nMedusa<\/a>
\nshop at
\nita-bol.com<\/a><\/td>\n		\"\"<\/td>\n<\/tr>\n
2000<\/td>\nIl Mondo Sonoro di Escher<\/strong> per Orchestra da Camera<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
2000<\/td>\nMacBeth<\/strong> colonna sonora,
\nregia di Marco Bellocchio, per il Teatro di Roma<\/td>\n		<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
2000<\/td>\nCantata per l’anno guibilare<\/strong> per Soprano, Coro di voci bianche e Orchestra
\nsee bio of Maria Loreta Ciofani<\/a><\/td>\n		<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
200.?<\/td>\nTra Terra e Cielo<\/strong> brano per coro di texti Mario Luzi<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
1999<\/td>\nAdeste Fideles<\/strong> – cantata (?) (see<\/a>)<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
1999<\/td>\nLa Balia<\/a><\/strong> (The Nanny\/La Nourrice)
\nfilm by Marco Bellocchio<\/a>
\nfilm reviews: Filmclub Cannes 1999<\/a> (French), Filmkrant<\/a> (Dutch), NRC<\/a> (Dutch)
\nmusic reviews: Film music on the web<\/a>, musicfromthemovies.com<\/a>, Movie Music U.K.<\/a>, Recensioni Autunno ’99<\/a>, Cinemusic.net<\/a><\/td>\n		\"\"\"\"<\/a>
\nPacific Time Ent.<\/a>
\nPTE8515-2<\/a><\/td>\n		<\/td>\n\"\"
\nTF1 Vid\u00e9o<\/a>
\nZone 2: Amazon.fr<\/a><\/td>\n<\/tr>\n
1998<\/td>\nTorniamo a Casa<\/a><\/strong> (Let’s go Home \/ Adoptiert)
\nTV film by Valerio Jalongo<\/a><\/td>\n		<\/td>\nAmeuropa Int.<\/td>\n<\/td>\n<\/tr>\n
1998<\/td>\nDel Perduto Amore<\/a><\/strong> (Of Lost Love)
\nfilm by Michele Placido<\/a><\/td>\n		\"\"\"\"<\/a>
\nPacific Time Ent.<\/a>
\nPTE8515-2<\/a><\/td>\n		\"\"
\nC.D.I.
\nMedusa<\/a><\/td>\n		<\/td>\n<\/tr>\n
1998<\/td>\nSinfonia Specchiante n.3<\/strong> per il film “La passion de Jeanne d’Arc<\/a>” di Carl Dreyer<\/a> (1928)
\nsee review: www.iperdue.com\/iperrec10.html<\/a><\/td>\n		\"\"\"\"<\/a>
\nEsperia<\/a>
\nEO II<\/a><\/td>\n		<\/td>\n<\/td>\n<\/tr>\n
1997<\/td>\nIl Principe di Homburg<\/a><\/strong>
\nfilm (89′) by Marco Bellocchio<\/a><\/td>\n		\"\"
\nCAM S.r.l.<\/a>
\n COS 044 493402<\/a><\/td>\n		\"\"
\nIst. Luce<\/a><\/td>\n		<\/td>\n<\/tr>\n
1997<\/td>\nL’Appartamento<\/a><\/strong>
\n<\/strong>TV film by Francesca Pirani<\/a><\/td>\n		<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
1997<\/td>\nMarie Baie des Anges<\/a><\/strong> (Angel Sharks\/Marie From the Bay of Angels)
\n<\/strong>film by Manuel Pradal<\/a>,
\nofficial film website: www.bluelight.co.uk\/angel<\/a><\/td>\n		<\/td>\n\"\"
\nNTSC:\"\"<\/a><\/td>\n		shop at
\nAmazon.fr<\/a><\/td>\n<\/tr>\n
1997<\/td>\nElena<\/a><\/strong>
\n<\/strong>film (6′) by Marco Bellocchio<\/a>
\n(see also synopsis<\/a> for International Thessaloniki Film Festival 2002)<\/td>\n		<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
1996<\/td>\nLegami di Famiglia<\/strong> (Family Ties)
\nfilm by Pietro Sagliocco<\/a><\/td>\n		<\/td>\nIst. Luce<\/a><\/td>\n<\/td>\n<\/tr>\n
1996<\/td>\nImprovviso n.4<\/strong> “Tango” per bandoneon e fisarmonica (accordeon)
\npresented by (dedicated to?) Acco Land<\/a><\/td>\n		<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
1996<\/td>\nLe Affinit\u00e0 Elettive<\/a><\/strong> (Elective affinities)
\nfilm by Vittorio Taviani<\/a> and Paolo Taviani<\/a>
\nfilm review: Filmkrant<\/a> (Dutch)
\nmusic review: my review<\/a><\/td>\n		\"\"
\nCAM S.r.l.<\/a>
\nCOS 700-036<\/a>
\nCOS 036 493292<\/td>\n		\"\"
\nFILMAURO S.R.L.
\nNTSC:\"\"<\/a><\/td>\n		<\/td>\n<\/tr>\n
1996<\/td>\nLa Luna Ner\u00e0<\/a><\/strong> a solo di percussione
\n(by Ars Ludi<\/a>?)<\/td>\n		<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
1995<\/td>\nLes Ep\u00e9es de diamant<\/a> <\/strong>(Diamand Swords \/ Le Spade di Diamante)
\nfilm by Denys de La Patelli\u00e8re<\/a><\/td>\n		<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
1995<\/td>\nSogni Infranti: ragionamenti e deliri<\/strong><\/a> (Broken Dreams: reasoning and delirium)
\nfilm (52′) by Marco Bellocchio<\/a>
\n(also music by others: Area, Riccardo Giagni, Arvo P\u00e4rt)<\/td>\n		<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
1995<\/td>\nSinfonia Specchiante<\/strong> concerto in video conferenza, prima mondiale, hook up tra M\u00fcnchen, Londra, Roma, Paliano e Pescara
\n(first concert ever done by video-conference)
\ntogether with Michelangelo Pistoletto<\/td>\n		<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
1994<\/td>\nIl Sogno della farfalla<\/a><\/strong> (The Butterfly’s Dream)
\nfilm by Marco Bellocchio<\/a><\/td>\n		\"\"<\/td>\nMedusa<\/a>
\nM003293<\/a><\/td>\n		<\/td>\n<\/tr>\n
1994<\/td>\nThe Dalliance of the Eagles<\/strong> per Voce femminile, Violoncello ed Arpa su una poesia di Walt Whitman
\nEd. Semar: SE.120002\/670005<\/td>\n		“La voce della grande Madre”
\n(The Voice of the Great Goddess)
\nSemar<\/a>
\nSE-DAT 1004<\/a><\/td>\n		<\/td>\n<\/td>\n<\/tr>\n
1993<\/td>\nLa Ribelle<\/a><\/strong> (The Rebel)
\nfilm by Aurelio Grimaldi<\/a><\/td>\n		<\/td>\n\"\"
\nMedusa<\/a>
\n1030901<\/a><\/td>\n		<\/td>\n<\/tr>\n
1992<\/td>\nAssassini Vanno in Coppia, Gli<\/a><\/strong> (Killers Come in Pairs)
\n<\/strong>film by Piero Natoli<\/a><\/td>\n		<\/td>\nAZIONE CINEMATOGRAFICA SOC. COOP. A R.L.<\/td>\n<\/td>\n<\/tr>\n
1991<\/td>\nLa Condanna<\/a><\/strong> (The Conviction \/ Condemnation)
\nfilm by Marco Bellocchio<\/a><\/td>\n		\"\"
\nCAM S.r.l.<\/a>
\nCOS 005 493283<\/a><\/td>\n		\"\"<\/td>\n<\/td>\n<\/tr>\n
1990<\/td>\nSegno di Fuoco<\/a><\/strong> (Fire Sign)
\nfilm by Gaetano (B. Nino) Bizzarri<\/a><\/td>\n		<\/td>\nINDIPENDENTI REGIONALI<\/td>\n<\/td>\n<\/tr>\n
1990<\/td>\nBambino in Fuga – Tre anni dopa<\/a><\/strong>
\nTV series by Marco Caiano<\/a><\/td>\n		<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
199.?<\/td>\nImprovviso n.2<\/strong><\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
199.?<\/td>\nImprovviso n.3<\/strong><\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
199.?<\/td>\nSinfonia Specchiante n.2<\/strong> per 4 gruppi orchestrali dislocati a Monaco, Londra, Pescara e Paliano (Roma)<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
199.?<\/td>\nImprovviso n.1<\/strong><\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
199.?<\/td>\nBartok<\/strong> un ritratto musicale per 2 Pianoforti e Percussioni<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
1989<\/td>\nBambino in Fuga<\/a><\/strong>
\nTV series by Marco Caiano<\/a><\/td>\n		<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
1988<\/td>\nOh! Samba<\/strong> (episode from TV series Piazza Navone<\/a><\/strong>)
\nTVfilm by Daniele Costantini<\/a>, supervised by Ettore Scola<\/a><\/td>\n		<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
1988<\/td>\nAppuntamento a Liverpool<\/a><\/strong>
\nTV film by Marco Tullio Giordana<\/a><\/td>\n		<\/td>\n\"\"
\nMedusa<\/a>
\n1007702<\/a>
\nshop at internetbookshop.it<\/a><\/td>\n		<\/td>\n<\/tr>\n
1988<\/td>\nRubrum Laudis<\/strong> – cantata scenica per soli, tre gruppi corali, orchestra e nastro magnetico<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
1988<\/td>\nLa Visione del Sabba<\/a><\/strong> (The Witches’ Sabbath, La Sorci\u00e8re)
\nfilm by Marco Bellocchio<\/a><\/td>\n		<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
1987<\/td>\nS\u00e9curit\u00e9 publique<\/strong>
\nfilm by Gabriel Benattar<\/a><\/td>\n		<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
1987<\/td>\nCuore di Ladro<\/a><\/strong> (The Heart of a Thief)
\n<\/strong> TV film by Ugo Fabrizio Giordani<\/a><\/td>\n		<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
1987<\/td>\nIl Drago<\/strong><\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
1986?<\/td>\nLa pazzia di Lear<\/strong><\/td>\nsee Cassette: 1286<\/a><\/td>\n<\/td>\n<\/td>\n<\/tr>\n
1986?<\/td>\nIride<\/strong> (an opera)<\/td>\nsee Cassette: 1286<\/a><\/td>\n<\/td>\n<\/td>\n<\/tr>\n
1986?<\/td>\nLe Vesti di Iside<\/strong> per chitarra, flauto, piano e delay<\/td>\n\"\"<\/a>
\n“Stefano Mileto, chitarra”
\nEdipan<\/a>
\nPAN 3014<\/td>\n		<\/td>\n<\/td>\n<\/tr>\n
1986?<\/td>\nTre nodi del tempo<\/strong> (per orchestra)<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
1986<\/td>\nIl Diavolo in Corpo<\/a><\/strong> (Devil in the flesh \/ Le diable au corps)
\nfilm by Marco Bellocchio<\/a><\/td>\n		<\/td>\n\"\"
\nCAM S.r.l.<\/a><\/td>\n		<\/td>\n<\/tr>\n
1986<\/td>\nNel buio del mare<\/strong> (for sax quartet?)<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
1985<\/td>\nAnni Luce<\/a><\/strong>
\nTVfilm by Gian Vittorio Baldi<\/a><\/td>\n		<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
1984<\/td>\nQuartetto (1984)<\/strong> per archi
\n(XXI Festival Nuova Consonanza, 1984, Roma)<\/td>\n		<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
1982?<\/td>\nGli occhi<\/strong> for Soprano (also film by Bellocchio ?!)
\nEd. Semar: SE.300001<\/td>\n		<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
1981<\/td>\nIncontro interrotto<\/strong> per Fagotto e Violoncello \/ per Quartetto d\u2019Archi
\nEd. Semar: SE.1B0001<\/td>\n		<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
1980<\/td>\nDentro<\/strong> <\/strong>per 14 Archi<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
198?<\/td>\nPunto<\/strong><\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
198?<\/td>\nI Raggi del Sole<\/strong><\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
198?<\/td>\nPierrot<\/strong><\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
1979<\/td>\nCanto<\/strong><\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
1978<\/td>\nRemanso <\/strong>per piccolo gruppo e nastro magnetico<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
1977<\/td>\nStudio <\/strong>per 11 strumenti<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
1976<\/td>\nTensioni<\/strong><\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
1975<\/td>\nQuartetto (in un Tempo)<\/strong> per Sassofoni<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
1975<\/td>\nQuartetto per Archi<\/strong> per quartetto
\n(XIII Festival Nuova Consonanza, 1976, Roma)<\/td>\n		<\/td>\n<\/td>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

<\/a>Le Affinit\u00e0 Elettive<\/strong>: very romantic with heavy, somber, undertones. Sometimes the music starts with a dissonant, to resolve very soon, but very natural, into the main themes.<\/p>\n

In the beginning there is a piece by Franz Schubert (1797-1828), Gretchen am Spinnrade<\/a> (Gretchen at the Spinning Wheel) D118 – opus 2 (1814), transcribed for clarinet and piano (by Crivelli?) The song was originally for soprano and is based on a text from Faust (1808) by Goethe (1748-1832). The film script is also based on a text from Goethe: ‘Die Wahlverwandtschaften’. More on Schubert’s song: here<\/a><\/p>\n

Crivelli’s music uses Schubert’s as a base. The clarinet, and esp. the piano, play an important role throughout the whole soundtrack. I can imagine that two of the characters are represented by these instruments. The whole atmosphere is of a hot summerday, in a Tuscan landscape. BTW, I have not yet been able to view this film.<\/p>\n","protected":false},"excerpt":{"rendered":"

Title CD VHS DVD 2007 Una ballata bianca film (78′) by Stefano Odoardi 2006 Astor for four percussionists premiered by Tetrakis Percussioni, 3 February 2006 at the Amici della Musica concert, Foligno (Perugia) 2006 Il regista di matrimoni (The Wedding) … Continue reading →<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":156,"menu_order":0,"comment_status":"closed","ping_status":"open","template":"crivelli.php","meta":[],"_links":{"self":[{"href":"https:\/\/www.lindosblog.com\/index.php?rest_route=\/wp\/v2\/pages\/272"}],"collection":[{"href":"https:\/\/www.lindosblog.com\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.lindosblog.com\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.lindosblog.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.lindosblog.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=272"}],"version-history":[{"count":3,"href":"https:\/\/www.lindosblog.com\/index.php?rest_route=\/wp\/v2\/pages\/272\/revisions"}],"predecessor-version":[{"id":302,"href":"https:\/\/www.lindosblog.com\/index.php?rest_route=\/wp\/v2\/pages\/272\/revisions\/302"}],"up":[{"embeddable":true,"href":"https:\/\/www.lindosblog.com\/index.php?rest_route=\/wp\/v2\/pages\/156"}],"wp:attachment":[{"href":"https:\/\/www.lindosblog.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=272"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}